The right day
A working day at the crag: the conditions, the waiting, and why certain photographs only exist if you hang beside the climber.
A working day at the crag: the conditions, the waiting, and why certain photographs only exist if you hang beside the climber.
How an outdoor production day for a brand comes together: scouting, a plan, real athletes and a schedule that follows the light rather than fighting it.
Wedding reportage is above all a matter of position: getting there a moment before things happen, without anyone needing to notice.
What goes in the pack when the set is a wall: the static line, the ascenders, one camera body and the discipline to leave everything else at home.
Conditions are not an excuse: they are the difference between working a pitch and being able to send it. Notes on friction, aspect and patience.